Monday, April 23, 2012
As I mentioned, a painting this large (24" X 60") takes some extra planning in its execution. For Stage 2, I do a rough drawing of my subject(s) using a 4H pencil. Here I have the gessoed board on a drawing shelf. I then prop up the backside with an array of big fat art books. The thick drawing board gives the 1/4" gessoed painting board adequate support and helps prevent warping.
Friday, April 20, 2012
Saturday, April 21st I am the Featured Artist of the Day on the Artists for Conservation web site. If you have not visited this site (or it has been a while), take a look at all the good work artists are doing to support nature. This is particularly appropriate because Earth Day is Sunday, April 22nd.
Wednesday, April 18, 2012
I find painting oversize pieces a lot of fun. You can really tell the whole story because you are not limited by space.
However, there are some logistical challenges. The first is getting the 4' X 8' untempered hardboard home when it doesn't fit in my Explorer. (I had them cut it into 3 pieces for an extra $1.00.) We used our panel saw at home to cut the board to the exact size. The next step is applying the gesso. Usually I place the board on my 4 foot round drawing table. This painting is going to be 2 feet by 5 feet. Using 3" ABS pipe cut into rounds about 2.5" high, I elevate the board from the floor. I start by applying gesso to the back. Once that is dry, I turn the board over and apply a coat to the edges and 2 coats to the front (waiting 3-4 hours between coats.)
A note on gesso. I had been unsatisfied with the gessos I was using. One day I googled "Artist best gesso" to see if I could find a better one. One of the listings that came up was Daniel Smith World's Greatest Gesso. Yeah, yeah. Sounded like a lot of bragging to me, but I ordered a gallon of their white.
It is the very best gesso I have used. Just the right texture, not too thick nor thin and it nicely "grabs" oil paint.
The next step, drawing.
Saturday, April 14, 2012
Friday, April 13, 2012
Every Friday the 13th is proclaimed Colgate Day by Colgate University. I attended Colgate University, the institution of higher learning which began with 13 men with 13 dollars and 13 prayers in 1819. When I chose Colgate University for my undergraduate degree, I did not know how prominently the number 13 was associated with the college.
Why do I bring this up? Today is not only Colgate Day, it is also my birthday. So I will don my Colgate sweatshirt and recall fond memories of my time there while I blow out the candles on my cake!
In Eighteen Nineteen Words and music by Robert G. Ingraham, class 1913
Long ago, in the vally of Chenango,
Funds were low, but abundant was their pluck,
In Eighteen Nineteen.
Thirteen pray'rs were said with rapt devotion,
Thirteen dollars set the thing in motion,
Thus began old Colgate University
In Eighteen Nineteen.
Live true to the mem'ry
Of those thirteen men of yore,
Whose faith made tradition
That shall live forevermore:
Whose deeds give us courage
To strive as they strove then.
'Tis the Spirit that is Colgate,
Dear Mother of Men.
(and no, I am not bothered by that last Men. This was an all-male university until the 1970's and I am part of man-kind.)
Friday, April 6, 2012
Tuesday, April 3, 2012
As I have mentioned in previous posts, I really enjoy painting water. There are so many colors, reflections, and moods you can portray. Ice is another beast altogether. Even though I have always lived in northern climes, painting ice does not come as naturally for me.
When I paint whites, I start with titanium white. Most of the time I mix in a tiny amount of cadmium yellow deep to create a more natural white before I apply it to my board. In this case, I wanted a little bit cooler white for my pack ice. With a base of titanium white, I started by adding a smidgen of lemon yellow. To that mixture I added a teeny amount (these are very exact measurements) of cad. yellow deep. For the shadows in my pack ice I used mixtures of titanium white, viridian, paynes gray, and ultramarine blue.
I've now moved on to blocking in the water.