Saturday, March 3, 2018

How small can you go?

I am not a miniature painter. There are those who excel in this very demanding discipline. But, there are times when I can not resist the challenge.
As I was working out my composition, I was intrigued by how it might work in a small format. How crazy did I want to be?

Out Fox
5" X 7"
Original Oil

Pretty crazy.

Tuesday, February 27, 2018


Cross Country
9" X 12" 
Original Oil


Friday, February 23, 2018

Adding the White

Like usual, my white is Titanium White with a touch of Cadmium Yellow Deep. I am keeping my cool shadow colors handy as I rework them in conjunction with the sunlit white areas.
Almost done.

Tuesday, February 20, 2018

Reds, Oranges, and Browns

My palette looks like I have gone crazy with oranges, reds, and yellows. Mixtures of Cadmium Orange, Cadmium Yellow Deep. Quinacridone Coral, Cadmium Red, Burnt Sienna, and Raw Umber are "dancing" around my palette. Close up, some of the colors look neon bright on the painting. When I step back from the piece, it all seems to come together with soft warm browns.

Maybe daring myself to push into uncharted color territory is the way to add extra life to my work and still keep it looking natural.

Saturday, February 17, 2018


After seeing the reception of my pronghorn painting Track Team at my last show (it sold), I thought about how much I really enjoyed painting these stunning animals. In this piece, I am saturating the color more than I usually would to create the vibrancy I feel when seeing them in the the field.

Usually, I would paint each animal in its entirety before moving on to the next. This time I am taking a different approach by painting each color group on the herd before mixing the next. I'd like to give you a logical explanation why I have varied the approach but all I can say is that it felt right.

Wednesday, February 14, 2018

The Next Painting

I knew exactly what I wanted to paint next. After thinking about it on our drive home from the  Las Vegas show, I could clearly see it in my mind. Thinking of the gaps to fill from the last show's sales, it was an obvious choice to get this one ready for my upcoming show in Tulsa, Oklahoma.
After spending hours reviewing my reference and working out various compositions, it just wasn't working. Well, I had a second idea which I liked just as well. Nope, that didn't pan out either. Neither did the 3rd or 4th.
Time to take a break. This is when I ask myself the most important question, "If I could paint any subject in the world, what would it be?" The answer did not take long. (Of course I could have saved myself quite a bit of time if I had not been so stubborn hanging on to my first idea.)

Below is the start of the "next" painting.

Wednesday, February 7, 2018

Safari Club International Convention

Right before a show, things like blog posting are put aside while I finish paintings, pack, and complete the associated paperwork (flyers, description cards for paintings, etc.)

Below are two paintings which I did not get around to sharing on my blog. Both of them were among the numerous which found homes with past and new collectors of my work.

Now that I am back home, the first order of business is writing thank you notes to my patrons, ordering boxes, mailing paintings (most choose to have me mail the pieces because they flew in), entering new collectors in my quarterly newsletter database, entering interested parties in the database, and following up those interested in a commission.
And yes, this all comes before I unpack and wash clothes!

It is also right back to the easel. My next show is NatureWorks in Tulsa, Oklahoma Feb 24 + 25. Some paintings I can bring with me when I fly, but the bulk needs to be shipped Feb 14. There are several special pieces I want to complete in time.

8" X 3.5"
Original Oil

9" X 12"
Original Oil

Tuesday, February 6, 2018

Finished Painting

Where There Is A Will
12" X 28"
Original Oil


Sunday, January 28, 2018

On the Move

One of the tricky aspects for the composition was the vertical position of the cub. To accomplish a sense of movement, the cub in the first panel had to be highest and the cub in the last panel needed to be lowest. The first and last panels were fairly easy, but the middle one took lots of adjustment. I'd try about1/2" lower, then 1/4" higher until the position just felt right to me. No mathematical equations, no measuring. I'd keep asking myself if I felt the cub coming down the tree. When I did, that was it.

The blue separating lines are painted. This is one gessoed panel. Actually, while I carefully created that blue to complement the sky, I now think it is distracting from the piece. It may be time to revisit that color decision.

Thursday, January 25, 2018

The Lion Cub

Now to my favorite part, the lion. I was in the Selous in Tanzania and arrived after the cub was already in the tree. It wasn't too long before he decided he wanted to get down. It was obvious he did not know how and he wandered around in the crook of the tree.

Tuesday, January 23, 2018

The Tree

What is making this painting particularly challenging is the tree bark. It has to match!

Saturday, January 20, 2018

New Story

I have a story I've wanted to paint for over 10 years and couldn't figure out the best way to portray it. With it rattling around in my head for that long I had almost given up hope.
Then the idea came to me.
The only way to tell the story was in a triptych style similar to my painting Movement.
In Movement, the piece is on one board and the borders are painted with colors from the foreground and background.

Here is the start of the new story.

Monday, January 15, 2018

Finishing Touches

At this stage, the painting is almost finished.
The grass needs highlights, the cheetah need backlighting, the elephants need to be pushed further into the background and their legs blended into the grasses. And the final detail will be to glaze more reddish orange onto the cheetah. This will pull them further into the foreground and create more distance between them and the elephants. Using liquin the glazing will be subtle but hopefully effective.

18" X 36"
Original Oil

Note the bluish glazing on the elephants is similar to the sky color in the upper right of the painting.

Monday, January 8, 2018

Here come the elephants

Above I have the elephants roughed in. Once they are mostly dry, I can work on the transition from the grasses to their legs.

Like most times when I paint spotted or striped animals, (cheetah, giraffe, leopard, zebra, tiger, etc), I like to paint the spots or stripes first. Next, I'll fill in the background color and then revisit the spots, making sure the fur reads well.

Wednesday, January 3, 2018

First painting of 2018

From the outlines you can probably guess where this piece is going. There will be some challenges because I haven't worked out all the transitions. Numerous thumbnail sketches might have given me a couple of hints, but I opted to go right for my brushes. Sometimes diving in and trusting your intuition can yield the best results. Guess we will find out.

Tuesday, January 2, 2018


Safari Club International has named me the 2018 Artist of the Year. My painting Stars and Stripes Forever is the featured piece and will be auctioned at the 2018 Convention in Las Vegas, Jan 31 - February 3. In addition, 125 canvas giclees were made of the painting and will be distributed to Safari Club chapters across the country.

Happy New Year! I hope 2018 exceeds your expectations and is filled with wonderful surprises.