My paintings are realistic but I view reality with flexibility. The leaf in the middle bottom of the painting which stretches across two pickets had brown edges and the bent over edge had large brown blotches of dried plant. Could I have painted it that way? Of course. But, would presenting the leaf that way add anything to the story or would it be a distraction? I opted for turning back the clock on its life cycle.
In addition, the clump of leaves in the bottom left were much darker and hard to read. This left me with an opportunity to add dappled light to the group, change their position, and modify the stems.
I could have left out all the leaves and just had the flowers in the background but to me the fence would then be a barrier, a jail, holding back the flowers. The fluidity of the leaves helps add motion to the painting. The pink flower peeking between the pickets is also a deliberate choice, in this case to marry the background to the foreground with its visual proximity to the outside leaves.
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