Painting Continued

The whole painting was lightened by adding the "white" of the cottony heads of the seed pods.

This painting was all about the bird but I learned that indigenous peoples of North America, Europe and Asia used all parts of the cattails. The shoots and other sections were cooked and eaten, the leaves used for furniture and baskets, the cottony inside for insulation and bedding, and even the pollen was collected and used as flour.

And I was just thinking the cattails made a handy perch for a bird.

Starting on the yellow-headed blackbird

Close to Home

In early May, I drove to Williams Lake just outside Turnbull Wildlife Refuge. The drive is only a little over an hour from my home.
While Turnbull is pretty wild boasting moose, elk, porcupine, pelicans, numerous ducks, and nesting trumpeter swans, Williams Lake is prime fishing ground. Most COVID-19 recreational fishing restrictions had been lifted and the boat launch was a busy place. Just to the right of the boat launch is a large section of cattails.

Yellow-headed blackbirds were flitting in and among the cattails, singing. The inspiration for my next painting.

Best of Show

My painting Ice Bear has won Best of Show at the National Oil & Acrylic Painters' Society Spring Online International Exhibition!

The National Oil & Acrylic Painters' Society (NOAPS) posted a very nice blog about the win and my work.
Check it out here: https://noapsblog.com/2020/06/09/linda-besse/

     It was an interesting day when I found out about the win. I checked my email first thing in the morning and received a quick note from an artist I did not know. He was congratulating me on a very nice piece. This being my first time entering anything in a NOAPS show, I guessed Ice Bear must have been accepted in to the show and he wanted to let me know he saw and liked it. Wow, my first attempt and I was accepted. Pretty neat!
     It was only later looking in more detail about the acceptance list on the NOAPS web site that I saw Ice Bear had won. I was blown away. What a wonderful surprise!
    

And... Finished

Unexpected

13.5" X 20"

Original Oil by Linda Besse

I usually have a working title in mind while I paint. Sometimes that title becomes the final title as it did here. There were many unexpected elements I was playing with. 

The story of Daniel in the Lions' Den is unexpected. He certainly should have perished, and rather quickly.

Rubens' choice of size and the number of lions is unexpected.

When one sees Rubens' painting hanging in the National Gallery of the Smithsonian, it feels unexpectedly large and impressive.

Okay, yes. There is a lion walking in the museum. THAT is unexpected.

Thanks for keeping me company and following along on this challenging painting. I believe my next piece might be a bit more simple. 

Challenge #9 People

Having a person (or in this case, two) was essential to the painting.
The balding head (the first one I have painted) helps the viewer see he is looking up at the painting. The angle of his bald spot nicely works with the angled figure of Daniel.

The woman completes the story. My first goal was to have her blue coat stand out from the blue couch. I debated whether to have a different color, but this combination seemed to add a pop to the foreground without being too distracting.

Challenge #8 What's Next?

I debated whether to start on the walking lion or save him for last. After procrastinating for a while, I decided the couch would be next. The couch felt like an anchor and its color would help dictate the rest of the "real life" elements.

To make the fabric look like a microfiber, I used a blending brush to soften the multiple blues' edges.

For the floor, I mixed some light warm and cool colors and applied the paint with a small angle brush. I made strokes the length of each board.

As you can see, our cat Scratch was particularly excited about this section. A constant studio companion, here he seems more enamored of sleeping on a couch than watching me paint one!

Challenge #7 Daniel completed

The head of Daniel is at an odd angle looking up. With it measuring roughly one inch square, his head was the most difficult part of painting him. I'm not sure how long I spent on the eyes to capture that upward-looking fear.