Monday, December 12, 2016


This is the slowest part of the painting. So many squares and angles. They form the foundation and I am using subtle shading to help create depth. The paint mixtures are various blends of titanium white, yellow ochre, and burnt umber with some burnt sienna in the mixture in the lower right. You might notice that everything is not perfectly straight. I wanted an organic, hand-made feeling to the background.      

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