There are so many moods to water so I do not tire painting it.
What captured my attention with this scene was the different treatments I could play with in one painting.
There is the distant blue ocean, the crest of the breaking wave, the smooth underneath of the wave, the flat surface between the breaking wave and the broken wave, the foamy broken wave, and the foam remainder from a previous wave which shows sand underneath.
The aqua tinted gesso is still driving me nuts. I can't decide whether to try and work with it (which is the whole point) or ignore it and mix colors like I usually do. Maybe I'll have a better sense of the painting once I move back to the breaking wave.