Reflections continued

Setting the stage for an abstract reflection of the cat is the sky reflection. I used Rembrandt ultramarine blue, cerulean blue, titanium white, and a touch of Van Dyke brown, plus Michael Harding's Phthalocyanine Blue Lake.
Premixing four blues worked well. Once they were blocked in, I realized that I needed a deeper richer blue swath from the lower left.
(Note: My new selection of Michael Harding oil paints have been a wonderful addition to my palette. It seems I can create more exciting and a greater variety of colors.)

Continuation of the ripple line.

Start of the cat's reflection. This is going to be tricky, but fun.