Social Harmony

 

Social Harmony, 14.5" X 23", original oil

Sociable Weaver nest cont'd

 For the sunlit side of the nest on the left side of the vertical branch I used some of the deep orange for the shadows and a mixture with naples yellow and cadmium yellow deep for the highlights.

 

    While I could use a bit of freedom in creating the nest, detail needs to be painted for the structure of the supporting branches before I can add in the greenery.  Without compromising the careful balance created by the birds in crafting their architectural wonder, I have "moved" and modified some of the outlying branches for a better balance in the painting.

Above is a detail photo of the first perched sociable weaver for the painting. I decided to have five birds in the piece. Four are perched and one is flying. I could have painted dozens or just one. When I was fleshing out the composition, I tried numerous positions and placements and the five seemed to work the best.

Sociable Weavers

   It has been a while since I have posted. My apologies. My brush has been busy and I will be sharing those paintings from start to finish.

  Sociable weavers are master builders. Living in congregate groups, their massive nests are impressive in large trees and are unbelievable when suspended in smaller ones. A particular nest in the Namib Desert of Namibia caught my eye for its miracle of engineering.

   With some editing and some strategic placing of some of the birds I was ready to start on the painting.

   One often thinks of a desert as a yellow mass of sand. The Namib Desert, considered by some to be the oldest desert on earth, is filled with color. Its age has contributed to the oxidation of iron in the sand. The color of the sand in sunlight is a warm orange and in the shadows it is a stunning blueish purple.

 

   The nest had sticks and birds everywhere. The trick was to capture the texture of the nest without painting every twig. On my palette I mixed four different colors for the rusty orange nest on the right side of the vertical branch. Using a small flat angled brush I started at the bottom.

   To give the nest that layered feeling and reflect the weathered condition of the outermost layer, some of the upper part of the nest was painted with splashes of the cooler background color.