Back to the zebra painting.
The reflection is complete. Now it is time to "make moonlight." This will take numerous layers of glazing. With a little bit of paint mixed with Liquin, I am starting with a more teal base for the zebra and will move into a softer blue.
Below you can see the background being glazed with a mixture of ultramarine blue and paynes gray. This is about the 4th layer.
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